{"id":7905,"date":"2015-09-24T10:38:29","date_gmt":"2015-09-24T07:38:29","guid":{"rendered":"https:\/\/efk.epcc.ee\/2015\/09\/gesualdodeantuur-cd-review-aptly-angst-filled-and-chilling-2\/"},"modified":"2015-09-24T10:38:29","modified_gmt":"2015-09-24T07:38:29","slug":"gesualdodeantuur-cd-review-aptly-angst-filled-and-chilling","status":"publish","type":"post","link":"https:\/\/efk.epcc.ee\/en\/2015\/09\/gesualdodeantuur-cd-review-aptly-angst-filled-and-chilling\/","title":{"rendered":"Gesualdo\/Dean\/T\u00fc\u00fcr CD review \u2013 aptly angst-filled and chilling"},"content":{"rendered":"<p>Estonian Philharmonic Chamber Choir\/Tallin Chamber Orchestra\/Kaljuste<br \/>\n(ECM)<\/p>\n<p>&nbsp;<\/p>\n<p>Gesualdo was the composer-prince who had a thing for self-torture. He murdered his wife and her lover one night in Naples, and his music inhabits the wildest chromatic reaches of the 16th century. No wonder the juiciest bad guy in classical music has sparked the imagination of so many composers since. This aptly angst-filled album conducted by T\u00f5nu Kaljuste includes stylish string arrangements of Gesualdo\u2019s vocal music, plus related works by Brett Dean and Erkki-Sven T\u00fc\u00fcr. We get the spicy opening chords of Gesualdo\u2019s madrigal Moro lasso twice: first a transcription by Kaljuste, full of fine-sculpted space and slow-shifting contours, then Dean\u2019s Carlo, an intensely atmospheric work from 2007 that opens with straight Gesualdo then implodes into a murky throng of whispering voices and tormented strings. The Estonians capture the dark psyche without overdoing it; most chilling is how they evoke glassy loneliness in hushed moments. T\u0171\u00fcr\u2019s Psalmody is the other big work on the disc, but at 20 minutes of jaunty neo-baroque minimalism, it isn\u2019t half as interesting.<\/p>\n<p>&nbsp;<\/p>\n<p>http:\/\/www.theguardian.com\/music\/2015\/sep\/24\/gesualdo-dean-tuur-tonu-kaljuste-estonian-philharmonic-chamber-choir<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Estonian Philharmonic Chamber Choir\/Tallin Chamber Orchestra\/Kaljuste (ECM) &nbsp; Gesualdo was the composer-prince who had a thing for self-torture. He murdered his wife and her lover one night in Naples, and his music inhabits the wildest chromatic reaches of the 16th century. No wonder the juiciest bad guy in classical music has sparked the imagination of [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[9],"tags":[],"class_list":["post-7905","post","type-post","status-publish","format-standard","hentry","category-media"],"acf":[],"_links":{"self":[{"href":"https:\/\/efk.epcc.ee\/en\/wp-json\/wp\/v2\/posts\/7905","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/efk.epcc.ee\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/efk.epcc.ee\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/efk.epcc.ee\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/efk.epcc.ee\/en\/wp-json\/wp\/v2\/comments?post=7905"}],"version-history":[{"count":0,"href":"https:\/\/efk.epcc.ee\/en\/wp-json\/wp\/v2\/posts\/7905\/revisions"}],"wp:attachment":[{"href":"https:\/\/efk.epcc.ee\/en\/wp-json\/wp\/v2\/media?parent=7905"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/efk.epcc.ee\/en\/wp-json\/wp\/v2\/categories?post=7905"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/efk.epcc.ee\/en\/wp-json\/wp\/v2\/tags?post=7905"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}