{"id":18575,"date":"2021-08-06T22:15:00","date_gmt":"2021-08-06T19:15:00","guid":{"rendered":"https:\/\/efk.epcc.ee\/2021\/08\/live-veljo-tormis-estonian-calendar-songs-tonu-kaljuste-and-the-estonian-philharmonic-chamber-choir\/"},"modified":"2021-08-07T12:17:54","modified_gmt":"2021-08-07T09:17:54","slug":"live-veljo-tormis-estonian-calendar-songs-tonu-kaljuste-and-the-estonian-philharmonic-chamber-choir","status":"publish","type":"post","link":"https:\/\/efk.epcc.ee\/en\/2021\/08\/live-veljo-tormis-estonian-calendar-songs-tonu-kaljuste-and-the-estonian-philharmonic-chamber-choir\/","title":{"rendered":"LIVE: Veljo Tormis\u2019 Estonian Calendar Songs \u2013 T\u00f5nu Kaljuste and the Estonian Philharmonic Chamber Choir"},"content":{"rendered":"<h3>The internationally renowned conductor, T\u00f5nu Kaljuste, and the multiple\u00a0Grammy Award-winning Estonian Philharmonic Chamber Choir celebrate the 91st birth anniversary of\u00a0Veljo Tormis \u2013 one of the most important Estonian choral composers \u2013 with a grand live concert; Estonian World will live broadcast (paid access) the performance on 7 August at 6.45pm EEST (4.45pm BST \/ 11.45am EDT).<\/h3>\n<p>The performance is part of\u00a0<a href=\"http:\/\/www.nargenfestival.ee\/index.php?keel=2\" target=\"_blank\" rel=\"noreferrer noopener\">Nargenfestival<\/a>, an annual summer music festival founded by T\u00f5nu Kaljuste in 2006, and honours\u00a0<a href=\"https:\/\/estonianworld.com\/culture\/veljo-tormis-composer-obituary\/\" target=\"_blank\" rel=\"noreferrer noopener\">Veljo Tormis<\/a>\u00a0(1930-2017), who would have turned 91 on 7 August.<\/p>\n<p>Please note the access to the live broadcast is ensured with the tickets only \u2013 you can purchase the tickets below.<\/p>\n<div class=\"voogle-embed-wrapper\" data-embed-description=\"Live\"><iframe class=\"noTransform\" src=\"https:\/\/epcc.tv\/epcc\/Category\/Concerts\/tormise_tuules_2021\/embed\/embed\" frameborder=\"0\" scrolling=\"no\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/div>\n<p><strong>Estonian World caught up with Kai Kutman, one of the organisers of the Nargenfestival, who shed more light on what to expect from the<\/strong>\u00a0<strong>concert.<\/strong><\/p>\n<p><strong>What pieces will be performed?<\/strong><\/p>\n<p>Kai Kutman: The performance\u2019s centrepiece is\u00a0Estonian Calendar Songs, a major cycle linked to important holidays in the traditional calendar and completed in 1967. Its five groups of songs became a turning point for the composer: his dedication to the study of Estonian folk songs and in-depth examination of the musical treasure-trove led to a profound understanding of the essence of the runic song (\u2018regilaul\u2019 in Estonian) and its structural integrity, and a realisation of how to sustain the integrity in musical compositions.<\/p>\n<p>Veljo Tormis said that the world of the runic song was complete, there was no need for us to improve it or develop it, and that we could only have a glimpse into the world and make it visible to others for a moment.<\/p>\n<p>\u201cI finally realised that\u00a0runic songs should not be arranged as I had done in the\u00a0Kihnu Wedding Songs\u00a0(1959). The very value of the runic song lies in its melody, repetitions and non-functionality in harmony. There is more cluster harmony there [in\u00a0Calendar Songs] and parallel movement with triads and seventh chords. At the beginning there were parallel triads, but later, in\u00a0St. John\u2019s Day Songs\u00a0already parallel clusters for example, six-voice chords, which produce a massive sound together,\u201d he said.<\/p>\n<p>That was the moment when he found his niche as a composer, a niche for the rest of his life.<\/p>\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><a href=\"https:\/\/estonianworld.com\/wp-content\/uploads\/2017\/01\/Veljo-Tormis-and-Arvo-P%C3%A4rt-in-K%C3%A4smu-Estonia-in-1958.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-22572\" src=\"https:\/\/estonianworld.com\/wp-content\/uploads\/2017\/01\/Veljo-Tormis-and-Arvo-P%C3%A4rt-in-K%C3%A4smu-Estonia-in-1958.jpg\" sizes=\"auto, (max-width: 578px) 100vw, 578px\" srcset=\"https:\/\/estonianworld.com\/wp-content\/uploads\/2017\/01\/Veljo-Tormis-and-Arvo-P\u00e4rt-in-K\u00e4smu-Estonia-in-1958.jpg 578w, https:\/\/estonianworld.com\/wp-content\/uploads\/2017\/01\/Veljo-Tormis-and-Arvo-P\u00e4rt-in-K\u00e4smu-Estonia-in-1958-300x232.jpg 300w\" alt=\"\" width=\"578\" height=\"447\" \/><\/a>&nbsp;<figcaption>Veljo Tormis and Arvo P\u00e4rt in K\u00e4smu, Estonia, in 1958.<\/figcaption><\/figure>\n<\/div>\n<p><strong>What sources Tormis used for his compositions?<\/strong><\/p>\n<p>Kai Kutman: Tormis and the runic song met thanks to\u00a0Men\u2019s Songs\u00a0(1964\u20131965) although he used newer folk songs there. He liaised with the folklore archives of the Estonian Literary Museum as he was writing the cycle. The museum\u2019s folklorists later helped him with arranging the texts of the\u00a0Calendar Songs.<\/p>\n<p>Tormis has also mentioned the influence of the Estonian writer Jaan Kaplinski with whom he used to discuss the runic song a lot. Tormis found the tunes of the\u00a0Calendar Songs\u00a0in the five-volume collection\u00a0Estonian Folk Songs with Tunes\u00a0(1956\u20131965) compiled by Herbert Tampere. The collection was the source of many of his future works and a major inspiration for several other Estonian composers.<\/p>\n<p>The idea to write a multi-movement choral cycle was not there immediately but took shape gradually during composing. The runic songs that the cycle is based on are from Volume 2 of Tampere\u2019s collection which was the first that Tormis read, and which contains runic songs sung at traditional holidays and family events.<\/p>\n<p>Swing Songs\u00a0was the first, completed in 1966 and followed in 1967 by St.\u00a0Catherine\u2019s Day Songs\u00a0and\u00a0Martinmas Songs, then\u00a0St. John\u2019s Day Songs\u00a0and finally\u00a0Shrovetide Songs. The cycle alternates men\u2019s and women\u2019s voices until the last part,\u00a0St. John\u2019s Day Songs\u00a0which is sung by both voices together. The songs in each group have been selected to match the complete set of rituals of a given holiday (all these songs will be performed in the concert \u2013 editor).<\/p>\n<p>The runic songs in the cycle originate in different parts of Estonia:\u00a0Martinmas Songs\u00a0in Tormis\u2019 home parish of Kuusalu,\u00a0St. Catherine\u2019s Day Songs\u00a0in P\u00f5lva, and\u00a0Shrovetide Songs,\u00a0Swing Songs\u00a0and\u00a0St. John\u2019s Day Songs\u00a0elsewhere.\u00a0St. John\u2019s Song, the last in the St.\u00a0John\u2019s Day Songs\u00a0group is from Hargla located in Valga County near the Latvian border. It is probably a Latvian tune, a typical song sung at Latvian Midsummer. Tormis replaced the Latvian\u00a0liigo, liigo\u00a0chorus with\u00a0jaani, jaani\u00a0and\u00a0jaaniko\u00a0that were more Estonian, and because of the \u201cCesarean section\u201d the Latvian song sung by Estonians got an \u201cEstonian\u201d chorus.<\/p>\n<p>The entire\u00a0Estonian Calendar Songs\u00a0cycle was premiered by the men\u2019s choir and women\u2019s choir of the Estonian Academy of Sciences and conductor Arvo Ratassepp on 6 April 1968.<\/p>\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/estonianworld.com\/wp-content\/uploads\/2021\/08\/Veljo-Tormis.jpg\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-54858\" src=\"https:\/\/estonianworld.com\/wp-content\/uploads\/2021\/08\/Veljo-Tormis-1024x680.jpg\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" srcset=\"https:\/\/estonianworld.com\/wp-content\/uploads\/2021\/08\/Veljo-Tormis-1024x680.jpg 1024w, https:\/\/estonianworld.com\/wp-content\/uploads\/2021\/08\/Veljo-Tormis-300x199.jpg 300w, https:\/\/estonianworld.com\/wp-content\/uploads\/2021\/08\/Veljo-Tormis-768x510.jpg 768w, https:\/\/estonianworld.com\/wp-content\/uploads\/2021\/08\/Veljo-Tormis-1536x1020.jpg 1536w, https:\/\/estonianworld.com\/wp-content\/uploads\/2021\/08\/Veljo-Tormis-560x372.jpg 560w, https:\/\/estonianworld.com\/wp-content\/uploads\/2021\/08\/Veljo-Tormis-750x498.jpg 750w, https:\/\/estonianworld.com\/wp-content\/uploads\/2021\/08\/Veljo-Tormis-1140x757.jpg 1140w, https:\/\/estonianworld.com\/wp-content\/uploads\/2021\/08\/Veljo-Tormis.jpg 2000w\" alt=\"\" width=\"1024\" height=\"680\" \/><\/a>&nbsp;<figcaption>Veljo Tormis. Photo courtesy of T\u00f5nu Tormis.<\/figcaption><\/figure>\n<p><strong>Can you tell us more about his work with the poets of his time?<\/strong><\/p>\n<p>Kai Kutman: Tormis\u2019 vocal music has always been guided by lyrics \u2013 the musical solution and mood follow from the text. He has set music to both folklore and poetry. Tormis was on good terms with the poets of his time; Paul-Eerik Rummo, Jaan Kaplinski and Hando Runnel are the ones with whom he collaborated most. The concert on 7 August sees the\u00a0Calendar Songs\u00a0framed by choral works set to the texts of\u00a0Jaan Kaplinski and Hando Runnel.<\/p>\n<p>Tormis composed the first works to Kaplinski\u2019s poems in 1966. It was the miniatures cycle\u00a0Ten Haikus\u00a0for solo voice and piano and\u00a0Spring Sketches\u00a0for women\u2019s choir. Since then, Kaplinski seems to be the poet with whom Tormis worked most frequently. The lyrics of the\u00a0One Day We Will Return\u00a0or\u00a0Our Shadows\u00a0for men\u2019s choir\u00a0is from Kaplinski\u2019s collection of poems\u00a0Of Dust and Colours\u00a0published in 1967, which Tormis happened to read in 1969. In the same year, Tormis wrote two more pieces to lyrics from the collection \u2013\u00a0Ballad of Mary\u2019s Land\u00a0and\u00a0One and Only Land\u00a0for men\u2019s choir. They were among the works he composed for the song contest celebrating the 25th anniversary of the\u00a0Estonian National Men\u2019s Choir.<\/p>\n<p>Our Shadows\u00a0is one of the pieces where Tormis experimented with dodecaphony \u2013 the song consists of two musical lines that make up twelve tones. The piece was premiered by\u00a0the Estonian National Men\u2019s Choir and conductor\u00a0Olev Oja at the Estonia Concert Hall in Tallinn on 5 December 1970. Tormis arranged the song for mixed choir in 1993.<\/p>\n<p>Tormis composed his first piece to a text by Hando Runnel in 1968. It was the cantata\u00a0The Beginning of the Song. He wrote more pieces to Runnel\u2019s lyrics in the 1980ies \u2013 the choral works\u00a0The Viru Oath\u00a0(1980),\u00a0Reflections with Hando Runnel\u00a0(1981),\u00a0An Estonian\u2019s Little Songs\u00a0(1981),\u00a0Loyal Little Songs\u00a0(1981),\u00a0Little Songs of \u201cStagnation Time\u201d\u00a0(1981),\u00a0Virumaa and Pandivere\u00a0(1987) and many others.<\/p>\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><a href=\"https:\/\/estonianworld.com\/wp-content\/uploads\/2017\/01\/Veljo-Tormis-in-2007-Sirp.jpg\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-22554\" src=\"https:\/\/estonianworld.com\/wp-content\/uploads\/2017\/01\/Veljo-Tormis-in-2007-Sirp.jpg\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" srcset=\"https:\/\/estonianworld.com\/wp-content\/uploads\/2017\/01\/Veljo-Tormis-in-2007-Sirp.jpg 600w, https:\/\/estonianworld.com\/wp-content\/uploads\/2017\/01\/Veljo-Tormis-in-2007-Sirp-300x200.jpg 300w\" alt=\"\" width=\"600\" height=\"399\" \/><\/a>&nbsp;<figcaption>Veljo Tormis in 2007. Courtesy of Sirp newspaper.<\/figcaption><\/figure>\n<\/div>\n<p><strong>Apparently, Tormis\u2019 music had a wider impact in the society?<\/strong><\/p>\n<p>Kai Kutman: In the period of songs of political sarcasm, Tormis tried to say with music things that could not have been uttered aloud. The Estonian musicologist, professor Toomas Siitan, has suggested\u00a0<em>musica poetica<\/em>\u00a0\u2013 a German music theory term from the 16th-17th century, meaning a composition method using traditional musical symbols \u2013 to refer to meanings outside music. Tormis said that everything he did in music was \u201coutside music\u201d. \u201cI never really aimed for just music-making \/\u2013\/, I aimed for the pain and suffering of life. And words are the most important thing for me in music,\u201d he said.<\/p>\n<p>Musical form follows the lyrics in\u00a0The\u00a0Viru Oath (performed at the concert \u2013 editor), a choral piece written for both men\u2019s choir and mixed choir in the same year. The main mood is set by gammas in minor that occasionally pile up in canons and shape the song\u2019s character. The song is dedicated to the conductor Ants Soots. It was premiered by the Estonian National Men\u2019s Choir and conductor Olev Oja at the Estonia Concert Hall in Tallinn on 18 October 1980.<\/p>\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/estonianworld.com\/wp-content\/uploads\/2017\/01\/Veljo-Tormis-Photo-by-Rapha%C3%ABl-Gianelli-Meriano.jpg\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-22560\" src=\"https:\/\/estonianworld.com\/wp-content\/uploads\/2017\/01\/Veljo-Tormis-Photo-by-Rapha%C3%ABl-Gianelli-Meriano.jpg\" sizes=\"auto, (max-width: 801px) 100vw, 801px\" srcset=\"https:\/\/estonianworld.com\/wp-content\/uploads\/2017\/01\/Veljo-Tormis-Photo-by-Rapha\u00ebl-Gianelli-Meriano.jpg 801w, https:\/\/estonianworld.com\/wp-content\/uploads\/2017\/01\/Veljo-Tormis-Photo-by-Rapha\u00ebl-Gianelli-Meriano-300x200.jpg 300w, https:\/\/estonianworld.com\/wp-content\/uploads\/2017\/01\/Veljo-Tormis-Photo-by-Rapha\u00ebl-Gianelli-Meriano-768x511.jpg 768w\" alt=\"\" width=\"801\" height=\"533\" \/><\/a>&nbsp;<figcaption>Veljo Tormis. Photo by Rapha\u00ebl Gianelli-Meriano.<\/figcaption><\/figure>\n<h3>\u201cOn the wings of Tormis 2021: Estonian Calendar Songs. Tormis 91\u201d<\/h3>\n<p>7 August at 6.45pm EEST (4.45pm BST \/ 11.45am EDT) at the Grand Hall of the Estonian Academy of Music and Theatre in Tallinn<\/p>\n<p>Estonian Philharmonic Chamber Choir<\/p>\n<p>Choir masters: Lodewijk van der Ree, Mai<strong>\u00a0<\/strong>Simson<\/p>\n<p>Conductor: T\u00f5nu Kaljuste<\/p>\n<p>The Estonian Philharmonic Chamber Choir,\u00a0<a href=\"https:\/\/estonianworld.com\/culture\/bbc-music-magazine-the-estonian-philharmonic-chamber-choir-among-the-best-in-the-world\/\" target=\"_blank\" rel=\"noreferrer noopener\">named by the BBC Music Magazine as one of the ten best choirs in the world<\/a>,\u00a0was founded in 1981 by conductor T\u00f5nu Kaljuste. The repertoire of the choir extends from the Gregorian chant and baroque to the music of the 21st century, with a special focus on the work of Estonian composers, such as Arvo P\u00e4rt, Veljo Tormis, Erkki-Sven T\u00fc\u00fcr, Galina Grigoryeva, Toivo Tulev, T\u00f5nu K\u00f5rvits, Helena Tulve \u2013 and introducing their output to the world.<\/p>\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/estonianworld.com\/wp-content\/uploads\/2021\/04\/DSC_1903--scaled.jpg\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-53439\" src=\"https:\/\/estonianworld.com\/wp-content\/uploads\/2021\/04\/DSC_1903--1024x815.jpg\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" srcset=\"https:\/\/estonianworld.com\/wp-content\/uploads\/2021\/04\/DSC_1903--1024x815.jpg 1024w, https:\/\/estonianworld.com\/wp-content\/uploads\/2021\/04\/DSC_1903--300x239.jpg 300w, https:\/\/estonianworld.com\/wp-content\/uploads\/2021\/04\/DSC_1903--768x611.jpg 768w, https:\/\/estonianworld.com\/wp-content\/uploads\/2021\/04\/DSC_1903--1536x1222.jpg 1536w, https:\/\/estonianworld.com\/wp-content\/uploads\/2021\/04\/DSC_1903--2048x1630.jpg 2048w, https:\/\/estonianworld.com\/wp-content\/uploads\/2021\/04\/DSC_1903--560x446.jpg 560w, https:\/\/estonianworld.com\/wp-content\/uploads\/2021\/04\/DSC_1903--750x597.jpg 750w, https:\/\/estonianworld.com\/wp-content\/uploads\/2021\/04\/DSC_1903--1140x907.jpg 1140w\" alt=\"\" width=\"1024\" height=\"815\" \/><\/a>&nbsp;<figcaption>The Estonian Philharmonic Chamber Choir in front of the Walt Disney Concert Hall in Los Angeles. Photo by T\u00f5nu Tormis.<\/figcaption><\/figure>\n<p>The choir has won the\u00a0Grammy Award for Best Choral Performance\u00a0twice \u2013 in 2007 with\u00a0Arvo P\u00e4rt\u2019s\u00a0<em>Da Pacem<\/em>\u00a0and in 2014 with P\u00e4rt\u2019s\u00a0<em>Adam\u2019s Lament<\/em>\u00a0(the latter was shared with Tui Hirv, Rainer Vilu, Sinfonietta Riga, Tallinn Chamber Orchestra, Latvian Radio Choir and Vox Clamantis).<\/p>\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><a href=\"https:\/\/estonianworld.com\/wp-content\/uploads\/2021\/08\/Tonu-Kaljuste.-Photo-by-Kaupo-Kikkas.-scaled.jpg\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-54870\" src=\"https:\/\/estonianworld.com\/wp-content\/uploads\/2021\/08\/Tonu-Kaljuste.-Photo-by-Kaupo-Kikkas.-1024x768.jpg\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" srcset=\"https:\/\/estonianworld.com\/wp-content\/uploads\/2021\/08\/Tonu-Kaljuste.-Photo-by-Kaupo-Kikkas.-1024x768.jpg 1024w, https:\/\/estonianworld.com\/wp-content\/uploads\/2021\/08\/Tonu-Kaljuste.-Photo-by-Kaupo-Kikkas.-300x225.jpg 300w, https:\/\/estonianworld.com\/wp-content\/uploads\/2021\/08\/Tonu-Kaljuste.-Photo-by-Kaupo-Kikkas.-768x576.jpg 768w, https:\/\/estonianworld.com\/wp-content\/uploads\/2021\/08\/Tonu-Kaljuste.-Photo-by-Kaupo-Kikkas.-1536x1152.jpg 1536w, https:\/\/estonianworld.com\/wp-content\/uploads\/2021\/08\/Tonu-Kaljuste.-Photo-by-Kaupo-Kikkas.-2048x1536.jpg 2048w, https:\/\/estonianworld.com\/wp-content\/uploads\/2021\/08\/Tonu-Kaljuste.-Photo-by-Kaupo-Kikkas.-560x420.jpg 560w, https:\/\/estonianworld.com\/wp-content\/uploads\/2021\/08\/Tonu-Kaljuste.-Photo-by-Kaupo-Kikkas.-750x563.jpg 750w, https:\/\/estonianworld.com\/wp-content\/uploads\/2021\/08\/Tonu-Kaljuste.-Photo-by-Kaupo-Kikkas.-1140x855.jpg 1140w\" alt=\"\" width=\"1024\" height=\"768\" \/><\/a>&nbsp;<figcaption>T\u00f5nu Kaljuste. Photo by Kaupo Kikkas.<\/figcaption><\/figure>\n<\/div>\n<p>T\u00f5nu Kaljuste is a world-renowned choir and orchestra conductor. He won the Grammy Award for Best Choral Performance for the Arvo P\u00e4rt album\u00a0<em>Adam\u2019s Lament\u00a0<\/em>in 2014. In 2019 he won the International Classical Music Award for the recording of Arvo P\u00e4rt\u2019s symphonies with the NFM Wroc\u0142aw Philharmonic Orchestra.<\/p>\n<p>Kaljuste\u2019s recordings have won several other prestigious prizes such as the Cannes Classical Award (1999), Diapason d\u2019Or (2000), Edison Musical Award (2000) and Classic BRIT Award (2003). He has recorded for the ECM Records, Virgin Classic, BIS and Caprice Records labels.<\/p>\n<p class=\"has-pale-cyan-blue-color has-text-color\">Cover: Conductor T\u00f5nu Kaljuste with the Estonian Philharmonic Chamber Choir.<\/p>\n<p>Look more: <a href=\"https:\/\/estonianworld.com\/culture\/live-veljo-tormis-estonian-calendar-songs-tonu-kaljuste-and-the-estonian-philharmonic-chamber-choir\/\">Estonian World<\/a><\/p>\n<div id=\"dpsp-content-bottom\" class=\"dpsp-content-wrapper dpsp-shape-rounded dpsp-size-small dpsp-has-spacing dpsp-has-buttons-count dpsp-show-on-mobile dpsp-show-total-share-count dpsp-show-total-share-count-before dpsp-button-style-1\">\n<div class=\"dpsp-total-share-wrapper\"><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>The internationally renowned conductor, T\u00f5nu Kaljuste, and the multiple\u00a0Grammy Award-winning Estonian Philharmonic Chamber Choir celebrate the 91st birth anniversary of\u00a0Veljo Tormis \u2013 one of the most important Estonian choral composers \u2013 with a grand live concert; Estonian World will live broadcast (paid access) the performance on 7 August at 6.45pm EEST (4.45pm BST \/ 11.45am [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[9],"tags":[],"class_list":["post-18575","post","type-post","status-publish","format-standard","hentry","category-media"],"acf":[],"_links":{"self":[{"href":"https:\/\/efk.epcc.ee\/en\/wp-json\/wp\/v2\/posts\/18575","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/efk.epcc.ee\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/efk.epcc.ee\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/efk.epcc.ee\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/efk.epcc.ee\/en\/wp-json\/wp\/v2\/comments?post=18575"}],"version-history":[{"count":0,"href":"https:\/\/efk.epcc.ee\/en\/wp-json\/wp\/v2\/posts\/18575\/revisions"}],"wp:attachment":[{"href":"https:\/\/efk.epcc.ee\/en\/wp-json\/wp\/v2\/media?parent=18575"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/efk.epcc.ee\/en\/wp-json\/wp\/v2\/categories?post=18575"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/efk.epcc.ee\/en\/wp-json\/wp\/v2\/tags?post=18575"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}